The original line up of Queensrÿche. But I gave up on that particular dream a long time ago.
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I really like their cover of Careless Whisper. Not totally sold on the other songs here though.
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I totally understand that it’s not an avoidable option for some, mate. It’s very much the last public transport option I’d use though. In the U.K. a bus is basically a mobile dentist waiting room…
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I wouldn’t be seen dead and bloated on a bus.
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I’m English. Queuing is ingrained in our psyche. If you’re trying to cut into a queue that I’m in then you’re getting challenged. The last holiday we had to Italy nearly gave me a nervous breakdown at the airport. You stand patiently in line and just before you’re due to board the aircraft there’s a surge of people at the last minute that just rush the gate. I couldn’t fucking be
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Along with talking, using phones and being a tall c*nt that gets in the way please also add concertgoers that just get blind drunk. WHY?? People…I’m not a fan. Barely anyone these days is aware and/or cares about others around them. Respect and consideration are now barely present. Honestly, don’t get me started.
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If only he’d do a couple of Tall Stories songs. All The Way is an okay song, I didn’t like it as track 2 on Arrival though…but Live And Breathe and especially Kiss Me Softly are infinitely better.
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I am relaxed.
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QuoteTamburlaine I support you more than most and you know what I mean… Regardless of anything else, there is absolutely no reason for that comment to be made in the context of the thread.
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I think the ‘time and place’ of your first ‘in’ with any band really does have a huge impact, mate. Definitely.
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As much as I love(d) Martin Birch, I think Maiden stayed with him for too long. How you go from the great sonics of Killers and NotB to the paper thin SiT and SSoaSS is something I’ve never been able to fathom. Maybe the change in drumming style from Clive to Nico was a factor?
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I have never liked anything about that album. The disconnect with Maiden began with SiT and I never hooked back onto the wagon until Brave New World. Something about the sound on ‘Seventh…’ really doesn’t connect with me. In all honesty Maiden have never had the fullest sound and this album in particular is where I find it at its worst. Again, just my personal opinion. The sound, the s
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I can agree on that, although if I had to choose one I know which one it would be.
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Well, it’s teeny pop so I’m not sure what was expected. It’s done well and it’s FAR from the worst cover song I’ve ever heard…and it’s infinitely better than that Silent Lucidity monstrosity.
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It’s actually impressive to screw up a song that good.
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I don’t care.
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Dreadful… His own stuff is just as bad. Who gives these people the green light?
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Maybe I need to relisten, Carl… I remember thinking it was going to be something earth shattering because of the talk that surrounded it. But I just remember thinking “is that it?”.
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21 Guns didn’t light my fire at all. I found it thoroughly underwhelming.
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In my opinion, you can’t go wrong with any of these… Mother’s Finest - Black Radio Won’t Play This Record Chrissy Steele - Magnet To Steele Phantom Blue - Built To Perform Saraya - When The Blackbird Sings
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That Black Bambi album is very meh.
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There’s a decent song in there, but that godawful production and sound is everything I hate about modern metal music.
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Have you heard The Scream’s second album? There’s a reason it was shelved…
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It makes you wonder how many other albums of this kind of quality were shelved during the 80’s… it’s scandalous.
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Baby Animals! Forgot them, great stuff.
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I can’t imagine anyone choosing to move to the US right now…
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Loving that…and you can’t go wrong with Moon Calhoun singing.
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Amanda Marshall…good shout
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I’d definitely, definitely go with - Mother’s Finest Chrissy Steele Phantom Blue Saraya I’d add - Drain STH (not one for the purists) Melissa Etheridge Tori Amos The Cardigans
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No bother, mate. Terry’s assertion is the whole sticking point here but, as per, Terry can’t/won’t (delete as appropriate) see it.
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