Mark Slaughter


MARK SLAUGHTER Gives 'Halfway There' Video Insight

Wednesday, May 10, 2017
SLAUGHTER vocalist MARK SLAUGHTER has released the first and second of a series of in-studio videos discussing and previewing tracks from the upcoming album 'Halfway There', in stores May 26 via EMP LABEL GROUP/AMPED, in Europe via EMP/SPV, and in Japan via Universal Music Japan/EMP out on May 10th, 2017.

Episode #2 features Mark discussing and previewing the album track "Supernatural", and tells the touching story of how a lost guitar belonging to late Slaughter guitarist Tim Kelly found its way home to make a guest appearance on the track and can be viewed here:

Episode #1 features Mark discussing and previewing the album track "Conspiracy" can be viewed here:
'Halfway There' was produced and co-mixed by Slaughter with John Cranfield (AFI, Andy Grammer), with art by famed horror/album artist “Mister” Sam Shearon (Rob Zombie, Iron Maiden, KISS, Clive Barker).
Slaughter has also announced his first solo show to support Halfway There, Thursday June 22nd at The Gramercy Theatre, (with support from KIK TRACEE vocalist Stephen Shareaux) where Slaughter will be backed by bassist Jaymi “PINKBASSMAN” Millard, Guitarist Mike Himmel (Bret Michaels, Dug Pinnick), and his former VINNIE VINCENT INVASION bandmate, drummer Bobby Rock.
Mark Slaughter will also stay busy on the road with his namesake band SLAUGHTER, who will also play several US dates through 2017, including a performance at ROCKLAHOMA May 26th.

SLAUGHTER 2017 Dates:
  • 5/18 - Uncasville, CT - Mohegan Sun Casino
  • 5/28 - Pryor, OK - Rocklahoma
  • 6/29 - Milwaukee, WI - Summerfest Milwaukee, WI
  • 7/7 - Verona, NY - Turning Stone Resort & Casino w/ Great White
  • 7/13 - Baling, Germany - Bang Your Head Festival - Baling, Germany
  • 7/28 - Sioux City, IA - Hard Rock Hotel & Casino - w/Great White & Bret Michaels
  • 8/5 - McMinnville, OR - Yamhill County Fair
  • 8/11 - Three Forks, MT - Rockin The Rivers
  • 8/12 - St. Charles, IL - The Arcada Theater
  • 9/8 - Hinckley. MN - Grand RockTember V Music Festival w/Queensryche, Great White & More
  • 9/16 - Hurricane Mills, TN - Nashville Bike Week
  • 11/12 - Houston, TX - Proof Rooftop Lounge



MARK SLAUGHTER 'Halfway There' On New Solo Album

Wednesday, May 10, 2017
Slaughter frontman Mark Slaughter to release his new solo album "Halfway There" in Japan via Universal Music on May 10, 2017 and in Europe and the USA via EMP Label Group on May 26, 2017.
Says Slaughter: "We have been dropping hints for a while, but it is official. I have signed a deal with EMP Label Group, the record label owned by my good friend David Ellefson of Megadeth, who will release my new solo record Halfway There on May 26th in the US and Europe!! I'm so proud of this record, and can't wait for everyone to hear it!"
If you pre-order "Halfway There" on CD or limited-edition vinyl LP on, you will get a free immediate download of  the song"Hey You". Also, the first 200 pre-orders will be signed. Order here:

MelodicRock REVIEWS IN BRIEF December 2015

90% CATS IN SPACE – Too Many Gods (Harmony Factory/Cargo Records)
What a fun album. The whole album could have been released anytime in the mid-late 70s and you wouldn’t have known any different. Listening to this is like walking into a drive-in diner in 1978 and hitting random selections on the jukebox.
The album is consistently strong, but quite varied also.
There’s ELO (Too Many Gods, Mr Heartache); Queen (Stop); Styx/ELO/Queen (Last Man Standing – easily the most memorable song); Elton John meets The Who meets Queen (Unfinished Symphony) and even 70s Meatloaf (Only In Vegas); The Who (Five Minute Celebrity).
It is really quite an impressive and very accomplished piece of work - especially for a debut album. I can’t imagine 70s rock fans hearing anything better than this in 2015.
87% C.O.P – State Of Rock (AOR Heaven)
This has the obvious musical comparisons to Grand Illusion and the glorious, over the top, high pitched pomp that band delivered. Why? Vocalist Peter Sundell is front and center here along with his brother Christian Sundell. For those missing the pomp/AOR of Grand Illusion and Peter’s unbelievably high vocals, then jump on this!
It’s like Grand Illusion, but it also has its own personality and delivers some outstanding Scandi-AOR material, while the production is top notch (thanks to Ola af Trampe).
Another memorable, high quality release.
93% ANBERLIN – Never Take A Friendship Personal & Cities – Live In New York City (Tooth & Nail)
I absolute love these two Anberlin albums – easily the best of their career and here they are, faithfully reproduced in their entirety in a farewell live performance. Both albums are stacked with great tunes, but these versions are even more electric, as the atmosphere captured here is truly compelling. Great recordings – live, raw and honest, and overflowing with emotion and energy.
90% MR. BIG – Raw Like Suchi 113 – Sendai Japan 2014 (Wowow Entertainment)
Another month, another Mr. Big release! Cashing in on their legendary status in Japan and their anniversary year, this new live album is every bit as essential as any of the band’s other live releases. Packed with songs from the last two studio albums and various other classics, the recording is overdub free and live as on the night – which is the usual engaging, high energy excellence these great musicians deliver every time they hit the stage.
Definitely recommended for Mr. Big fans.
88% DARYL HALL & JOHN OATES – Live In Dublin (Eagle Rock)
The unquestionable brilliance of Hall & Oates is captured on this double live concert, recorded in July 2014. As expected it is a hits rich set that covers many of the bands’ hit singles, but at 15 tracks over 2 discs, it feels a little underdone and I have heard so many great live sets from these guys that this one just doesn’t have the same wow factor for me as other have. It may be down to the actual set list – there’s at least 4 tracks I’d sub out in favor of others (Do What You Want, Las Vegas Turnaround, Back Together Again & It’s Uncanny). It makes for a pretty laid back mid-concert run of tracks. But the rest – magnificent as always.
Thankfully the glorious Out Of Touch, plus mega-hits Family Man, Maneater, Say It Isn’t So, Kiss On My List and Private Eyes are all included. And what can you say about a 15 minute version of I Can’t Go For That?!
The DVD is certainly more engaging and I’ve always loved the way the guys interact with the crowd (who are very enthusiastic on this occasion). And the band is incredible of course, as are the harmonies.
And man…it has to be said – Daryl Hall’s voice is beyond unbelievable. He hasn’t lost anything over the years, he sounds freeking crazy good. What a voice!
85% NEAL SCHON – Vertex (Mascot)
Not to be restricted by any conventions over how much music one should record or be limited by any one style, guitar legend Neal Schon delivers 90 minutes of whatever he wants…in this case, inspired and diverse instrumental music. 18 songs over two discs, with tracks ranging from 2 to 7 minutes in length, Vortex is Neal in his favourite setting – just letting go.
And what’s even better – he’s backed by Steve Smith on drums, providing the intelligent, musically complex drum and percussion needed for such a bold musical statement such as this.
There’s fast, slow, rock, jazz, electric, acoustic….you name it. Guitar instrumental fans will love, no question about it.
75% GUN – Frantic (Caroline)
Gun seem to have made the transition from the angst driven melodic rock/hard rock of their past with original vocalist Mark Rankin, to the new lineup with Dante Gizzi now up front. The sound change is vast – the guys are now a power/pop outfit with a feel-good uptempo vibe. This is the second album in this format. The songs are pretty consistently good once again, but the style is hard to accept after such brilliance previously.
There are some very catchy tunes here, some more guitar driven than others, but overall not as many highlights as the last album for me. I miss the old days but don’t see Mark returning to singing. What a waste.
90% PAT BENATAR & NEIL GERALDO – 35th Anniversary Tour Live (Indie)
Now this is a ‘greatest hits’ set I can live with. The talented duo of Pat and Neil shred through some of their most iconic hits in a (all) fired up, live raw setting.
The rocked up set includes the brilliant Shadows of the Night, Invincible, Sex As A Weapon, Promises in The Dark, We Belong, Love is A Battlefield (8 minutes in length) and an even longer Heartbreaker to close the set.
The only thing that bugs me is Pat’s slightly tweaked chorus vocal in the mega-anthem All Fired Up. Doesn’t work. Whatever though….the rest is brilliant and a great tribute to the songs included. Boy can that Neil guy play guitar…
84% ELEMENTS OF FRICTIONS – Pride Music Sampler
Great way to introduce your new label to the world – gather some of the best melodic rock artists around and compile a bunch of unreleased tracks. Kicking off with one of the best rock anthems you’ll ever hear – a new Marcello Vestry track When You Grow Up. Elsewhere it’s a little hit and miss, but the highlights are Area 51 (Matti Alfozetti), Don’t Leave Me Lonely (Matti again), Make You Mine (Larry Baud, written by, yes…Matti), Without Your Love from Snakes In Paradise, the Matti written Only My Heart (sung by Mats Levin), Another Me (Paul Laine) and Somebody Up There (Tommy LaVerdi), which rocks pretty hard.
86% MARK SLAUGHTER – Reflections In A Rear View Mirror (Thunder Spirit Records)
Slaughter frontman Mark delivers his debut solo album here – which rocks seriously and surprisingly hard. Not sure what I was expecting, but it’s heavier than I figured. It’s also more diverse. Some of the songs are screaming rockers (Away I Go, Miss Elainious); some are more reflective (Carry Me Back Home, Baby Wants).
Others are closer to the anthemic rock of Slaughter (Never Giving Up, The Real Thing, Somewhere Isn’t Here) and some are just something new altogether (Don’t Turn Away, In Circle Flight, Velcro Jesus).
Some of it works – some of it doesn’t. I’ll let the listener decide, but this is an interesting journey and does what a solo album does – offer the artist and excuse to try different things.
85% CAGE – Ancient Evil (The Metal Masses)
Traditional American metal at its loudest, fastest, intensest (no, that’s not a word…). San Diego based Cage have been doing the metal circuit for a long while now and they don’t let up with age. This is the heaviest thing I’ve reviewed here in a long while. You know what to expect. Fast, furious, screaming high pitch vocals and some of the most brutal double kick drumming this side of thrash metal. Did I mention the ear blasting guitar demotion?
All you need to know is that it’s well produced, features a balanced mix and sounds huge.
84% 7TH HEAVEN – Next (NTD Records)
The hardest working band in Chicago America never fails to deliver quality music. On their new album Next they introduce new vocalist Adam Heisler after Keith Semple left to chase bigger dreams. Adam changes the tone a little bit – his vocal is a little deeper than the very AOR-friendly Semple.
Song wise the band continue to pursue the modern pop direction set up by the last album, moving further away from AOR/melodic rock into dance/pop with a commercial power pop base.
Some hugely catchy tunes here, but a few others that I don’t feel have the spark of the last 2-3 albums. Not sure if it’s the songs or the singer to be honest. Maybe a little of both.
Still, you won’t find a better example of the genre should modern pop be of appeal. These guys are an industry unto themselves and if you don’t like this album (or any other), then you know they’ll always be back next year with more!
86% HUNGRYHEART – Dirty Italian Job (Tanzan Music)
Italian rockers Hungryheart deliver their third studio album and continue to grow as songwriters and performers, not to mention also in the production stakes.
Each album has improved upon the last, which is all you can ask of any band. This album features some catchy melodic hard rock songs with a strong European flavor. There are some hard rockers and a nice variety of moodier melodic tunes too and just the one ballad – Nothing But You.
Tracks like You Can Run, There Is A Reason For Everything and Time For Letting Go show real promise and give hope that the guys might be able to cut through the plethora of releases out there to find some new fans. Well worth checking out.
89% DENNIS DRIES – I (AOR Heaven)
White Sister’s Dennis Dries finally delivers a long awaited solo album and it doesn’t disappoint. He’s joined by the great Paul Sabu to create a very likable pomptastic classic rock release that’s quite diverse, yet very focused at the same time.
Diversity comes in the shape of the pomptastic Heard It On The Radio; to the sentimental AOR of “I”; to the acoustic lead Home; and back to the melodic hard rock of Unbroken.
Focus comes in the form of the precision and thought put into the music and the production. A lot of time and energy has gone into this record, no doubt.
This may not be for everyone, but White Sister and classic pomp/rock fans will surely delight in Dennis’ unique vocals and writing style.
Best thing about this album is how it stands out from the pack by being different than most other titles out there, yet familiar at the same time.
50% LIPSTICK – Lipstick (Indie)
At lot of great releases about this year, this is not one of them. Unless you are into really average mid-80s glam, cowbell and all. There’s 16 tracks and 65 minutes of music to get through here, all featuring the unremarkable vocals of Greg Troyan.
These tunes are apparently “Super Demos”. I’d agree with the ‘demos’ part if not the ‘super’, but otherwise I’d use the old analogy, some albums/songs remain unreleased for a reason.
It will take a very dedicated glam rock/Poison groupie to appreciate the contents of this disc.
80% KICKIN VALENTINA – Super Atomic (Target Records)
American sleaze/hard rockers Kickin Valentina released their debut album earlier this year. You’ve got a strong Guns N Roses/LA Guns/Ratt type vibe going on here, with heavy, dirty blues riffs, a driving rhythm and raspy, gravelly vocals all combining to form a pretty credible, high energy rock outfit.
Musically this is all in your face hard rock with bar room swagger and some impressive guitar soloing to match the screams of vocalist Joe. Not an album for fans of big hooks or big harmonies, this one is better suited for fans of the bands mentioned and the whole LA late 80s LA sleaze scene.
92% ROMEOS DAUGHTER – Spin (RD Records)
A long overdue review here for this new gem from one of the UK’s premiere female fronted AOR bands.
Once again Leigh Matty delivers a silky smooth vocal over a very tight performance form the band and guitarist/producer Craig Joiner.
Anyone who picked up and enjoyed the band’s comeback album Rapture will be able to slide this album right alongside.
Perhaps a little lighter/more laid back than the 2012 album and moving a little more into modern pop style, it doesn’t matter in the end. It’s just filled with beautiful songs and warm, inviting melodies such as the born for radio Already Gone and Love Will Come To Those That Wait, plus the moody Enemy and the haunting acoustic beauty of Didn’t See You Coming.
The driving All Because Of You and the closing Tall Buildings add a little fire at the end of the album.
77% POWERPLAY – All Those Years (Target Records)
The debut album from Danish pop/rockers Powerplay ranges from Alien style Euro-AOR through to Chicago/State Cows styled Westcoast pop.
I definitely prefer the AOR flavored tunes, of which there are several fine examples (City Of Love, Climb A Mountain, All Those Years). There’s a little Work Of Art/Toto in the mix also, but to be honest, I’m not entirely sold on the vocalist and sometimes the album crosses over into ‘too pink and fluffy’ territory. Worth a listen, but more work needed to bring themselves into the wider fan base this music has.
69% ST. PROSTITUTE – Glorified (Target Records)
Another big sleazy hard rocking album on show here – this time from Denmark’s answer to Hanoi Rocks. Well maybe not, but you get the idea. It’s all guitars and all gravelly, sleaze drenched vocals. This one isn’t as memorable as a couple of other reviewed, but it probably packs a more powerful guitar punch and there’s certainly isn’t any issue with the monster sound.
90% DIEMONDS – Never Wanna Die (Napalm Records)
These guys are being compared to Halestorm and the immediate reaction to the female lead vocalist and the classic-meets-modern hard rock approach seems to match.
But this is a different type of album to Halestorm. More traditional hard rock and definitely a step heavier than Halestorm. Vocals are great, riffs are fast, furious and frequent and the production is huge.
This deserves a longer review, but time is of the essence. It’s a really strong album that gets better and better. Highly recommended for fans of powerful female fronted hard rock and metal.
78% PRETTY WILD – Pretty Wild (Dead End Exit)
Pretty Wild are, well…pretty decent! Take the old school melodic hard rock approach, add in some Scandi sleaze, mix it up with Bon Jovi, Johnny Lima and Reckless Love and you will get a pretty fair idea of the sound of this album. Not quite as immediate or as essential as those named, but still pretty worthwhile.
85% REACH – Reach Out To Rock (Sunhill Productions)
Reach are… yes! Swedish! And they produce solid, high quality melodic rock. Who would’ve thought? These guys lag behind the front runners of the genre though. They feature a more guitar heavy sound with less keyboards. Plus the vocalist isn’t quite as engaging as some of the others in the Swedish melodic rock gang.
There’s a moody feel to this album, a darker undertone than the likes of BFT, Art Nation or Wigelius. Not bad by any means and one for fans of guitar driven melodic hard rock with a Scandi-accent. Well produced and packing a decent punch – just not as immediate or as hook driven as their compatriots.
Still some good choruses here though – especially You Called My Name, We Are and Fortune & Fame.
55% ROB MORATTI – Tribute To Journey (Escape Music)
I’m a big Rob Moratti fan. I’ve featured him here many times across the years and his various projects and he’s a terrific guy. Which is why this is hard to say – but I simply don’t see any point to this release at all. In fairness, there’s absolutely nothing wrong with it and no one is expecting it to match the impact of an original studio album. Rob has a fantastic high pitch voice well suited for paying tribute to the great band Journey and vocalist Steve Perry. Nothing wrong with that!
However, I just don’t see any point in compiling 12 very very over-played, over-covered, over-done Journey classics and doing absolutely nothing different to them. This is a note for note tribute, which is always going to come off second best to the originals.
That’s a brave move by Rob as he’s only going to draw comparisons with Steve MF Perry afterall!
Perhaps there would have been some greater point to doing this if the songs were deep cuts or less recognizable hits. Or perhaps changed them up a little; make them heavier or acoustic in places….anything! Sorry Rob – I’ll hang out for the all-new studio album mate.
83% SHADES & PETERS – Let The Record Spin (Indie)
This album came out late in 2014 and has a similar musical play to the recent Tom Cochrane album.
Two rockers – you know them well – Rene Shades and Martie Peters, changing things up and creating something new – an acoustic driven, fairly laid back album touching on country, pop, blues as well as a little rock for good measure.
Despite my not so favourable verdict on the Cochrane album, Shades & Peters come out better off for delivering better quality songs.
Not everyone that has followed Push or MPG is going to be into this. And some that weren’t into those groups might indeed prefer this. It’s different that’s for sure.

MARK SLAUGHTER on Totally Drive Radio

Release Year: 

Totally Driven Radio, the weekly radio podcast heard live every Thursday night from 8 - 11 pm Est time on the Totaally Driven Entertainment Radio Network, hosted by Bay Ragni and Nick Wilkinson covers the world of sports and entertainment each week, as well as bringing you celebrity guests interviews.

Totally Driven Radio spoke with Mark Slaughter the former Lead Singer of the Vinnie Vincent Invasion, and long time lead singer of Slaughter to discuss a ton of topics like:

Mark hangs out with us for over 25 minutes...

**The story behind the song Fly to the Angels
**If people have said to him, that they can’t listen to that song anymore, because it relates to someone
**if it was tough for him to perform early on
**his first full length solo album he released “Reflections in the Rear View Mirror”
**How he is being hands on, and doing everything himself independently with the solo album
**that he was offered the Jack Russell’s spot in Great White, and also tried for the Velvet Revolver spot
**his recent appearance on “That Metal Show”
**he discussed the “real” reason, not the “Hollywood” version of why he wasn’t on the first VVI Album
**What if Vinnie Vincent called him today, to record some songs with him?
**any plans for solo acoustic shows, music
**any solo dates to support the solo album

You can listen here to his full interview here

Go to Mark’s Site for dates, news & more

Follow Mark on Twitter @MarkSlaughter33

Remember to listen to Totally Driven Radio every Thursday, and Like us on Facebook, and follow us on Twitter.

MARK SLAUGHTER On 3 Sides Of The Coin

Friday, April 24, 2015

In Episode 123, April 21, 2015. Mark Slaughter Gives the Not So Pretty Details on Vinnie Vincent. What was the very first comment Vinnie Vincent made to Mark? What was the first comment Gene Simmons said to Mark when Slaughter toured with KISS? Who got the Vinnie Vincent Invasion their record deal? How did Slaughter get their record deal? How did Vinnie treat Mark on stage? Just what kind of a person is Vinnie Vincent? And of course... did Vinnie Vincent save KISS?

A couple revelations by Mark Slaughter:

Vinnie hears Mark sing for the very first time and says "That's bullshit." "That sounds like shit."

Before a show in Philadelphia, Vinnie tells Mark, "You really sounded like garbage last night and if you don't pull it together you're not singing on the record."

Follow Mark Slaughter online at and order his brand new solo album Reflections In A Rear View Mirror. 23 minute mark the interview begins.

Since launching a year ago Three Sides of the Coin has been viewed or listened to over 1,000,000 times. In the last year, Three Sides of the Coin has been joined by special guests including former KISS lead guitarist Bruce Kulick, the Black Veil Brides' Andy Biersack, Frank Munoz associate producer for Ace Frehley's Anomaly album, award winning songwriter Adam Mitchell, Ed Kanon (Peter Criss' drum tech), and Kevin Valentine (drummer on KISS' Psycho Circus album). Three Sides of the Coin was recently picked (October 2013) as a 'What's Hot' podcast by Apple's iTunes.

In the early '90s, Michael Brandvold launched the fifth ever website on the Internet devoted to KISS, KISS Otaku. He was the first to build, launch and maintain (KISS' official web presence). Tommy Sommers has spent many years on the record show circuit selling memorabilia and meeting many KISS fans.

It's only our opinion... it's neither right nor wrong.

Decibel Geek Podcast - MARK SLAUGHTER

Thursday, April 16, 2015


Decibel Geek podcast hosts Chris Czynszak and Aaron Camaro recently interviewed Mark Slaughter for a talk about his new solo album, Slaughter, touring with KISS, and his days working with now-reclusive guitarist Vinnie Vincent in the Vinnie Vincent Invasion. A few excerpts follow:

On the autobiographical nature of his new solo album, 'Reflections in a Rearview Mirror:'

'As records go by in all of our lives, they really are the soundtrack of our lives and that's really what I was trying to do with this record; to make a record that is not only a soundtrack to where people would identify with it, but I used a lot of sounds that were part of my life. My dog is snoring on the first track. My mom, who is no longer with me and my father who is no longer with me are on the record.'

On the decision to put out his first solo album and the reaction from Slaughter bandmate Dana Strum:

'I really didn't get into  it real heavy. I was just recording and recording and then I had [producer] ) Michael (Wagener) do it and I said 'Y'know what, I'm gonna put some stuff out' and he kinda discounted it just as 'Y'know, whatever.' He recorded a record with Vince (Neil), you know he's doing stuff. So, it's me just being an artist.'

On memories of a summer shed tour that Slaughter, promoting their debut album 'Stick it to Ya', opened for KISS in 1990:

'There's something about the air at nighttime in the summertime. You've got your beer, you've got your friends; it is magical and I miss that. A week before we got back with them (KISS), Stevie Ray Vaughan had that helicopter crash. It was Alpine Valley. Literally, that was a week before. So, I get  up onstage and you could see the charred lawn where he died. Right before 'Fly to the Angels' I said, 'Look, I'd like to dedicate this next song to Stevie Ray Vaughan. This is 'Fly to the Angels' and the whole place, 20,000 people... there wasn't one lighter that wasn't in the sky. I still get goosebumps to this day where I go 'Wow.' It was almost like a religious experience at that point.'

On his first discussion with Gene Simmons when Slaughter showed up at pre-tour rehearsals in Lubbock, TX in 1990:

' It was so funny. Gene, the first day, he said 'Listen, we are not going to discuss Vinnie Vincent ever on this whole tour.' And I said 'Okay, Gene.' And then 5 minutes later he goes, 'You know what really bothers me (laughs)....I think we were both were in agreement that Vinnie's a very talented guy but stood in his own way.'

On Vinnie Vincent being misunderstood as just a shredding guitarist from the 80's:

'I'll never forget when we were on tour with Iron Maiden and I was talking guitar player talk with him and I go 'I love Jeff Beck' and he starts playing this Jeff Beck stuff and I'm like 'you've got to be kidding me' and the next thing you know Dave Murray and all the guys from Iron Maiden and their techs are standing on the outside of our dressing room watching him play this stuff and going 'Mate, why don't you play like that?' and Vinnie goes, 'Because it's boring.' He was just trying to be recognized with the shredders.'

On the strain in the studio regarding direction for Vinnie Vincent Invasion followup (and Mark's debut), 'All Systems Go:'

'I sang that record twice. I sang with Vinnie the way the he wanted me to do it and I sang with Dana after Vinnie left.'

On the rumors over many years that Vinnie Vincent was kicked out of his own band:

'I had to sign a Leaving Member Agreement with Chrysalis as well as Dana and Bobby due to the fact that Steve Stevens left Billy Idol. Jeff Aldrich, who is the A&R guy for Chrysalis said 'We cannot afford to lose our talent if these people leave. We need to have them sign an agreement that they will record 4 songs and we will have the option to pick up their option under the premise of the record agreement that was done between the artist they're signed under. In other words, in Vinnie Vincent's record deal; when we were done in 1988, when I walked off the stage and never saw him again, we had to record 4 songs for the label which we did in 1988, going into 89 on New Years Eve we were in the studio; Tim, Blas, Dana and I. 'Fly to the Angels' is one of those songs. We do the songs, we give it to Bud Carr, who managed Kansas. We take it to the record label and they go, 'We're definitely picking up Mark's option.' They had already dropped Vinnie because they had disagreements. They didn't like him and he didn't like them and that was done. They, basically, by picking up my option, gave me his record deal.'

'Vinnie refused to do radio interviews. He wouldn't walk up a set of steps. He said 'Is there an elevator? I'm not walking up those steps' It was a long set of steps and maybe he would've been too winded. I don't know what the issue was but I walked I walked up those steps and I did the interview. I was out there meeting people and I was shaking hands and I was doing what arists like Bonnie Raitt, who's a heritage artist, who's done this her whole frickin' life of meeting people and being an entertainer, never stopped doing.'

'I called Mike (Bone) [Chrysalis Records president] at one point when Vinnie and Dana got into it and Vinnie pulled me down, with his manager at the time, and said 'Are you gonna be in my band or are you gonna go with Dana?' I said I'd rather be in the gutter with Dana.'

'In Sacramento, Dana and I were at the bar during the day at soundcheck having a soda and MTV was on and the 'Love Kills' video came on. I looked up and I just said 'Can you fuckin' believe that?' it said 'The Vinnie Vincent Invasion (featuring Mark Slaughter).' I was like 'Wow, okay.' I knew I had the interest of the label at that point. I'll never forget that Dana said 'And of all fucking times, this is the most publicity that the band's got and it's over tomorrow.'

On Tracii Guns being a candidate for Slaughter:

'He called me when we were done; when Vinnie was over. He said 'You know how I play, you know how good I am.' And I said 'I do know, Tracii. But you know here's milk and cookies which is me and Mr. vampire Hollywood. You know one of these things is not like the other. Not saying that there's anything wrong with that but there is a little bit of a different image so to speak. In my mind I was thinking more of just a guys-next-door band and not trying to get too deep into an image.'

Links to Episode Below:

Link to Official Website Post:

Link to Direct Download for Mp3:

Spreaker Widget Link:

The Decibel Geek podcast, started in 2011, is a weekly hard rock and heavy metal music and discussion show. Covering rock and metal bands from the late 60's to today, the show features rotating themes including Year in Review, Radio Sucks Radio Show (music-based), Interviews, Fresh Blood (upcoming bands) and many more.

Subscribe to Decibel Geek on iTunes at

Official website located at:


Double Stop Podcast - MARK SLAUGHTER

Monday, April 13, 2015
This week on The Double Stop is vocalist Mark Slaughter.

Mark (Slaughter, Vinnie Vincent Invasion) discusses his career - from starting in Xcursion, to joining Vinnie Vincent Invasion - to striking out (and finding huge success) with Slaughter. He goes into detail on the first two Slaughter records and discusses his new solo record - Reflections In A Rear View Mirror.

MARK SLAUGHTER Releases Debut Solo Album

Tuesday, February 3, 2015
SLAUGHTER has sold more than 5 million records worldwide.  The group has had numerous top hits on the Billboard charts such as, Fly To The Angels, Up All Night, Spend My Life, and Mad About You.  They also won the 1991 American Music Award for “Favorite New Artist.”
Slaughter has toured with KISS, OZZY OSBOURNE, POISON, DAMN YANKEES, and countless others.
Reflections In A Rear View Mirror
The debut album from Mark Slaughter, will take you on a Rock N’ Roll journey like no other. Mark delivers 11 diverse songs on the debut, each with a story of its own.
On March 18, 2014 Mark Slaughter released Never Givin' Up, his first-ever solo track. This song captures the Rock N Roll anthems of yesterday with a Military Message that salutes all who have faced adversity.
Reflections In A Rear View Mirror
Mark Slaughter - All Instruments, Except Drums
Mark Goodin - Drums
Michael Wagener - Mixing, Mastering
Purchase via:


Monday, June 23, 2014
RockEyez Audio interview with Mark Slaughter of Slaughter
We talk about Mark’s first solo single “Never Givin Up”
We also talk about a full length Mark Slaughter release.


Wednesday, June 4, 2014


Nashville, TN. - This Spring Mark Slaughter released a new single, 'Never Givin' Up,' his first ever solo track outside of his multi-platinum band Slaughter, to rave reviews on radio stations across the country. And with legendary music producer Michael Wagener Mixing and Mastering it, Mark played all instruments on the track with the only exception being drums that were tackled by Mark Goodin.
Picking up traction on the charts, the tune salutes the military and all who have served, with a portion of the proceeds going to the Red Circle Foundation that assists families of the US Special Operations Forces.
It's available at Amazon, iTunes, and Google.
MARK SLAUGHTER - The band Slaughter sold more than five million records worldwide, with  numerous Top 30 hits on the Billboard Charts with tunes such as "Fly To the Angels" and "Up All Night.' The band hit the road playing to stadiums and arenas, touring the world with bands such as KISS, Poison, and Ozzy Osbourne, and more.
This Spring Mark released a new single, 'Never Givin' Up,' his first ever solo track, to rave reviews on radio stations across the country. And with legendary music producer Michael Wagener Mixing and Mastering it, Mark played all instruments on the track with the only exception being drums that were tackled by Mark Goodin.
The tune salutes the military and all who have served, with a portion of the proceeds going to the Red Circle Foundation that assists families of the US Special Operations Forces.
Before the formation of his own group Slaughter, he fronted a local band Xcursion before joining the Vinnie Vincent Invasion in 1987,  with a huge hit song "Love Kills" that appeared on the Nightmare Before Elm Street 4 movie soundtrack in 1988. After that band disbanded in the late 1980s, two of its members, Dana Strum along with Mark, formed the group Slaughter.
Mark Slaughter was born in Las Vegas, Nevada on the 4th of July, and now makes his home in Nashville.  He has worked as a voice-over actor and composes music for television, movies and sports outlets, with credits including music compositions for Fox Sports, along with voice over ventures in productions like Batman Beyond, Bloodsport, and Animaniacs.
Slaughter formed a new band, Scrap Metal, which consists of other platinum-selling singers such as Gunnar Nelson (Nelson), Kelly Keagy (Night Ranger) and Eric Martin (Mr. Big).
In addition to the Red Circle Foundation, Slaughter actively participates in charity work including with St. Jude's hospital.

Subscribe to Mark Slaughter