Trans-Siberian Orchestra

Mon
20
Oct

Audio Fidelity To Release TRANS-SIBERIAN ORCHESTRA's 'The Christmas Attic' On 2-LP Set!


Audio Fidelity To Release Trans-Siberian Orchestra's 'The Christmas Attic' On 2-LP Set!

'THE HOLIDAY TRADITION FOR A NEW GENERATION!'

Camarillo, CA ' Christmas arrives earrly this year with the release of Trans-Siberian Orchestra's  rock opera 'The Christmas Attic' on 2-LP Set by Marshall Blonstein's Audio Fidelity. Originally released in 1998, 'The Christmas Attic' is the second installment of Trans-Siberian Orchestra's Christmas Trilogy. The story begins On Christmas Eve,  when a young girl's curiosity leads her to a night of mischief and magic when she decides to sneak up into the attic of her parents' home while she should be asleep.  This album contains a mix of vocal and instrumental songs. The track 'Christmas Canon,' one of the TSO's most well-known songs, is a variation of Pachelbel's famous Canon in D Major, with lyrics and new music added as well as Boughs of Holly and a soulful rendition of Music Box Blues.

'The Christmas Attic' is being made available on vinyl for the first time in a 2-LP set. The brilliantly remastered records are packaged in a seasonal gatefold jacket that includes a colorful 12-page booklet filled with the tale of The Christmas Attic as well as the lyrics to all the songs.

When founder and producer Paul O'Neill first conceived Trans-Siberian Orchestra, his goal was as straightforward as it was ambitious: '...create a progressive rock band that would push the boundaries further than any group before, following in the footsteps of Emerson, Lake & Palmer, Pink Floyd, the Who...but take it way, way further.'

With more than 9 million albums sold TSO has inspired generations of fans to rediscover the multi-dimensional art form of the rock opera. They've become one of the world's top acts and listed in Billboard magazine as one of the top touring artists of the past decade. Their $20 million-plus stage production has played to over 11 million people in 80+ cities across the globe. TSO will once again be touring during the 2014 and 2015 holiday season with 'The Christmas Attic' show. Last year they welcomed-in the New Year in front of over one million German fans in a nationally televised show live from the Brandenberg Gate.

'... a little Pachelbel, a little Bach, and some rock and blues'

Disc One
SIDE ONE
1 The Ghosts Of Christmas Eve
2 Boughs Of Holly
3 The World That She Sees
4 The World That He Sees
5 Midnight Christmas Eve

SIDE TWO
1 The March Of The Kings/Hark The Herald Angel
2 The Three Kings And I (What Really Happened)
3 Christmas Canon
4 Joy/Angels We Have Heard On High

Disc Two
SIDE ONE
1 Find Our Way Home
2 Appalachian Snowfall
3 The Music Box
4 The Snow Came Down

SIDE TWO
1 Christmas In The Air
2 Dream Child (A Christmas Dream)
3 An Angel's Share
4 Music Box Blues

Produced by Paul O'Neil
Co-Produced by Robert Kinkel
Mastered for this vinyl release by Kevin Gray at Cohearent Audio

For more information: http://www.audiofidelity.net/content/trans-siberian-orchestrathe-christm...

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Wed
02
Jul

THE TRANS-SIBERIAN ORCHESTRA INTERVIEWS: PAUL O'NEILL

The Trans-Siberian Orchestra Interviews: Paul O'Neill by Brad Parmerter
 
As the Trans-Siberian Orchestra European tour was winding down earlier this year, TSO creator and producer Paul O'Neill was back in Florida working in the studio on one of a number of potential projects. I hadn't caught up with O'Neill since May of 2012 and thought it would be a good time to find out his thoughts on the whirlwind eighteen months he and the band had just experienced and to see what might lay ahead for the near future.

The Lost Christmas Eve, the final installment of TSO's Christmas Trilogy, had recently finished its encore presentation as the featured story on the winter tour and that leaves an opportunity open for what might come in 2014. However, to start off the new year, a massive show in Berlin rang in the 2014 with a bang and led directly into a tour of England and mainland Europe which saw TSO performing, for the first time, a more traditional rock concert, sans a rock opera centerpiece. It was on the final day of that tour that Paul and I started our quick catch-up; three hours later we concluded.

We dove head first into the variations between the first and second tours of The Lost Christmas Eve, upcoming ideas for 2014's winter tour, the New Year's Eve show in front of millions live and on TV, what happened to the missing reels of Savatage's Streets recordings, the importance of a good support team and crew, Daryl Pediford, the long-awaited Romanov project, his proudest moment with TSO, if we could ever see a live video release of Savatage, the five-year plan for TSO, what advice he received from John Lennon, and much more.

 
On the importance of putting on an amazing show:
So I explain to them that we don't have the right to take a family's money from a mother, father and two kids without giving them the very best that we can. Especially kids because they're so young. I'm sure you know that great Mark Twain quote, "I don't know why, but my father became so much smarter when I became thirty." To make kids appreciate that just because we're here doesn't mean we're entitled to keep it. I always use round numbers, I say, just pretend that we did one year exactly one million tickets and just say the show is two-and-a-half hours long and everybody lives from their doorstep to the building to their seat, forty-five minutes there and forty-five minutes back, including parking, traffic jams; which adds up to four hours, which isn't possible, but we're doing it very conservatively. So you're averaging four hours per person. We don't have the right to waste four million human hours without giving them something that is really, truly great. When you look in their eyes you can see the sparks going off. When you talk about money you get that blank look, but when you talk about four million human hours, that's a lot and it makes them appreciate
 
 
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