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TYKETTO - Reach (Review)

information persons: 
content: 
91%
Produced By: 
Tyketto
Release Date: 
2016
Released: 
Worldwide
Musical Style: 
Melodic Rock
Score: 
91
Label: 
Frontiers
Artist: 
The completely bombastic, over the top, rocking intro to this new album had me leaping from my chair in search of my Don’t Come Easy Tshirt, but by the time I got to the door, it was over!
Still…that was the finest 37 seconds of melodic rock I’ve heard all year.
The riff does return a couple of times during the song, but the essence of the band’s new title track Reach is a pretty laid back duel electric/acoustic base. I do think it is a wasted opportunity to leave such a huge riff hanging, but the song grows big time and is the purest Tyketto song of the album.
 
The new album Reach sees a new lineup in play – Brooke St James and in comes Ged Rylands (keyboards, vocals), Chris Green (guitar, vocals) and Chris Childs (bass guitar, vocals) to join the two original members Danny Vaughn and Michael Clayton Arbeeny.
I must admit, I haven’t played the last album Dig In Deep too much since reviewing it, but I’m far more confident this one will be spun many more times.
 
It may not really be Tyketto as we know, but whatever you think, it’s the best Danny Vaughn project in some time. And Chris Green on guitar has brought some definite grit to the band’s sound. Tracks like Big Money and Kick Like A Mule rank amongst the band’s heaviest.
Circle The Wagons is another classic Tyketto ballad with all the angst you love from these guys.
 
Tearing Down The Sky is a nice old school dark, moody rocker; the acoustic ballad Letting Go is fabulous and Remember My Name also rocks.  The lush mid-tempo ballad Scream is closer to the early Tyketto sound while The Run starts slow and acoustic before building to a bombastic finish.

A couple of fillers and that lost opportunity for song of the year with the title track (it’s still going to be up there though) are my only complaints. The production is superb and the mix nice and clear. Chris Green is his usual brilliant self and adds so much to the material.
And as usual Danny Vaughn sounds like he hasn’t aged a day since 1992.

 

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